* * *
Something in the middle
refused to go in between.
Why! Deep inside,
that does not really matter.
Still, for a sublime satisfaction,
it might be useful
to smash an annoying clepsydra,
the walls of glass, and the glasses,
and break out
the very idea of in,
just to deny any superficial resemblance.
And that's the way I love it.
2005
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